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"First printed in magazine form as Zero #6-10."
Über den Autor / die Autorin
Jordie Bellaire is a two-time Eisner winning colorist for acclaimed projects such as
Vision,
They're Not Like Us,
Pretty Deadly,
Injection,
Auttumnlands etc, as well as mainstream hits like
Batman,
Deadpool,
Moon Knight, and
Hawkeye. She is writer and co-creator with artist Vanesa R. Del Rey on the ongoing Image Comics series
Redlands.
She lives in Ireland with her famous cat, Buffy.
Clayton Cowles is an Eisner-nominated letterer. He graduated from the Joe Kubert School in 2009 and has been lettering comic books ever since. In addition to uncool mainstream titles like
Daredevil,
Star Wars, and
Batman, Clayton has worked on
Bitch Planet,
Bitter Root,
Die,
Moonstruck,
Redlands,
The Wicked + The Divine, and a host of other books published by Image Comics. He resides in upstate New York in a house with two cats.
Nick Dragotta is the artist and co-creator, along with writer Jonathan Hickman, of the breakout hit series
East of West. Dragotta and Hickman made name for their creative team previously on
Fantastic Four at Marvel Comics, where Dragotta also worked on the landmark run of
X-Statix with Peter Milligan and many other of the top Marvel characters such as Captain America, Spider-Man, the X-Men and others.
Drawing comics professionally since the age of fifteen, Eisner Award winning Sean Phillips has worked for all the major publishers. Since drawing
Sleeper,
Hellblazer,
Batman,
X-Men,
Marvel Zombies, and
Stephen King’s The Dark Tower, Sean has concentrated on creator-owned books including
Criminal, Kill Or Be Killed,
Incognito,
Fatale and
The Fade Out.
He is currently drawing a new volume of the long-running
Criminal series written by his long-time collaborator Ed Brubaker and coloured by his son Jacob Phillips.
He lives in the Lake District in the UK.
Zusammenfassung
Edward Zero was the best spy the Agency had - and then he realized he was working for the wrong side. Now he stands at the crossroads. From Switzerland to Mexico, and back in time to Bosnia in 1993, the lives of those who work for the Agency begin to unravel at fast speed.
