Fr. 117.60

Composing for the Cinema - The Theory and Praxis of Music in Film

Englisch · Taschenbuch

Versand in der Regel in 1 bis 2 Wochen (Titel wird auf Bestellung gedruckt)

Beschreibung

Mehr lesen

Informationen zum Autor Ennio Morricone has written scores for nearly 400 films. In 2007 he received an honorary Academy award for his significant contribution to the art of film music! the only composer to be so recognized. Sergio Miceli is an Italian musicologist whose many analyses! particularly of Morricone's scores! have established film music as a major artifact of the 20th century. Gillian B. Anderson is an orchestral conductor and musicologist who has reconstructed the scores for over 40 pre-1929 classic films and performed them with orchestras and at film festivals around the world. Klappentext With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved-a conviction shared by composers, scholars, and fans alike.In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone's expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others.Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone's passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene. Zusammenfassung Translation of: Morricone! Ennio. Comporre per il cinema! 2001. ...

Produktdetails

Autoren Sergio Miceli, Ennio Morricone, Ennio Miceli Morricone
Mitarbeit Gillian B. Anderson (Übersetzung)
Verlag Scarecrow Press
 
Sprache Englisch
Produktform Taschenbuch
Erschienen 10.10.2013
 
EAN 9780810892415
ISBN 978-0-8108-9241-5
Seiten 310
Abmessung 153 mm x 228 mm x 22 mm
Thema Geisteswissenschaften, Kunst, Musik > Musik

Kundenrezensionen

Zu diesem Artikel wurden noch keine Rezensionen verfasst. Schreibe die erste Bewertung und sei anderen Benutzern bei der Kaufentscheidung behilflich.

Schreibe eine Rezension

Top oder Flop? Schreibe deine eigene Rezension.

Für Mitteilungen an CeDe.ch kannst du das Kontaktformular benutzen.

Die mit * markierten Eingabefelder müssen zwingend ausgefüllt werden.

Mit dem Absenden dieses Formulars erklärst du dich mit unseren Datenschutzbestimmungen einverstanden.