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Zusatztext Praise for Gossamurmur "In Gossamurmur we see a master poet in the throes of the performance of a lifetime. Waldman rolls out technology! fantasy! wit! nature! passion and luscious fields of rapturous information for our temporary perusal and then with her magic stylus she flicks it away. Her poet is paranoid! funny! friendly! and lusty and all her wide passages of poethood! personhood! and history are cinched by a streaming network of lines that refresh! quake and accrue. The trembling suppleness of this poem creates a living miniature of the mythic ‘archive of poetry’ which for Waldman is the holy grail -- the deep subject of this wildly successful poem which she defends like a fire-breathing dragon by becoming it." —Eileen Myles “Waldman continues Artaud's deep work as a curandera would — to bring us peace with the precision of her turmoil and the focusing of her mutilayered perception. Don't look in Gossamurmur for lambent light flickering. This is the drama of the dragging of dark secrets out into sunlit Nature! body and psyche. It is sciamachy! the battle with the battle.” —Michael McClure “Imagine a world without archives. Untethered! history-less! a floating samsara. In this funny and very serious reckoning! secret agent Anne takes on those who threaten our very song! in its everyday making and in our memory of it. No one knows better than Waldman the stakes here near the end of time! where we could lose all record of this precious art that ‘reanimates sentient beings.’ Waldman is one of our great cultural workers! and in Gossamurmur her mind and art sing out in our marketplace to call us toward the gossamer webbing between tundra! plant! and poetry! back to the bed of our ancient song.” —Eleni Sikelianos “Anne Waldman’s enthralling philippic is a mix of lyric! epic! and sci-fi that pushes back against cultural amnesia. Gossamurmur gives fair warning that too many of the voices speaking in our name are out to get us. This book is a guide for living in the space between illusion and copy. Listen for the murmurs of liberation borne on Waldman’s gossamer wings of art.” —Charles Bernstein Informationen zum Autor Anne Waldman: Triple Aries, April 2, 1945. Father fought Nazis in WWII in Germany. Mother, Frances LeFevre Sikelianos Waldman, spent a decade in Greece in the Delphi Ideal community of Greek poet Angelo Sikelianos. Was living alone on MacDougal Street, Greenwich Village, NYC, husband at war in Germany. Grew up in New York City's "bohemian" Village. Anne sat on great singer Lead Belly's knee as a baby. She grew up with books of poetry, first poetry reading at Izzy Young's Folklore Center, fell in love with jazz and progressive politics. Blake, Rimbaud, Steve Lacy in her extended family. Started writing seriously as teenager with Beat generation and New York School outside her door. College education of literature, performance, loved Blake, Romantics, psychology studies, but more engaged with reach of world literatures, oral world epics, litany, chant, trance, shamanism, entheogens. Modernists, Gertrude Stein, Mina Loy, Franz Fanon, James Baldwin, open form New American Poetry of Beats and New York School and Black Mountain. Was a decade's-working founder and director of The Poetry Project in 1968 at the historic Dutch Reformed St. Mark's Church in-the-Bowery, home to poets, dancers, artists, filmmakers, painters, activists. Has always championed the bringing of poetry, as well as cultural activism, into public space. Co-founded the Jack Kerouac School of Disembodied Poetics program at Naropa Institute in Boulder, Colorado, on the spine of the North American continent, with Allen Ginsberg and with Diane di Prima in active early years. Waldman continues to work during summers as Artistic Director of the Summer Writing program an...
