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b>b>b>“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” --The Guardian/b>/b>br>/b>br>b>The classic Inspector Maigret mystery set in a claustraphobic provincial townbr>/b>br>“Cars drove past along with the trucks and trams, but by now Maigret had realized that they were not important. Whatever roared by like this along the road was not part of the landscape. . . . What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots’ bars and especially the tall house where he could make out Ducrau’s red chair framed by a window.”
Info autore
Georges Simenon (Author)
Georges Simenon was born in Liège, Belgium, in 1903. He is best known in Britain as the author of the Maigret novels and his prolific output of over 400 novels and short stories have made him a household name in continental Europe. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.
David Coward (Translator)
David Coward is Emeritus Professor of French at the University of Leeds and has translated many books from French for Penguin Classics.
Riassunto
'The father of contemporary European detective fiction' Ann Cleeves
Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.
Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Lock at Charenton.
'Compelling, remorseless, brilliant' John Gray
'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
'A supreme writer . . . unforgettable vividness' Independent
