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Some of Nick Brandt's subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer's ongoing global series The Day May Break is that they are all figuring out how to live in a new world.
Both extreme droughts and floods have destroyed people's homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.
This set includes the volumes The Day May Break, The Day May Break - Chapter Two, and SINK / RISE, The Day May Break, Chapter three.
NICK BRANDT (*1964, London) studied painting and film at St.Martin's School of Art, London. In 1992 he moved to California,where he still lives today. Since 2001, he has documented thedestructive impact that humankind is having on the naturalworld and, as a result, on humans themselves. Chapter One ofhis seminal series The Day May Break featured photographstaken in Zimbabwe and Kenya in late 2020. Chapter Two wasshot in Bolivia in 2022. In the third chapter Brandt introducescolor to the series, highlighting the all-encompassing impact ofthe water.
Riassunto
Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series
The Day May Break
is that they are all figuring out how to live in a new world.
Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.
This set includes the volumes
The Day May Break
,
The Day May Break – Chapter Two
, and
SINK / RISE, The Day May Break, Chapter three.
NICK BRANDT (*1964, London) studied painting and film at St.
Martin’s School of Art, London. In 1992 he moved to California,
where he still lives today. Since 2001, he has documented the
destructive impact that humankind is having on the natural
world and, as a result, on humans themselves. Chapter One of
his seminal series
The Day May Break
featured photographs
taken in Zimbabwe and Kenya in late 2020.
Chapter Two
was
shot in Bolivia in 2022. In the third chapter Brandt introduces
color to the series, highlighting the all-encompassing impact of
the water.
