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b>b>b>“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” --The Guardian/b>/b>br>br>When a childhood bully reappears in Maigret’s life, he struggles to put aside his own feelings and carry out his duties as an investigator.br>/b>br> When Ferdinand Fumal, a wealthy butcher and political influencer, starts receiving anonymous death threats, he fears for his life, and Maigret is ordered to his protection. But upon meeting the man, Maigret realizes that Fumal was among the childhood bullies who tormented him as a boy. Maigret’s instinct is to pawn the job off on another officer--until Fumal turns up the next morning brutally slain that is. Racked with guilt, Maigret finds himself being blamed for the murder, and so must go about the agonizing task of bringing the murdered butcher’s killer to justice.
Info autore
Georges Simenon (Author)
Georges Simenon was born in Liège, Belgium, in 1903. He is best known in Britain as the author of the Maigret novels and his prolific output of over 400 novels and short stories have made him a household name in continental Europe. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.
Riassunto
'His artistry is supreme' John Banville
Conflict rather than harmony probably reigned in eight out of ten of the still magnificent houses that surrounded the park. But he had rarely had the opportunity to breath such a strained atmosphere as the one between these walls. Everything seemed fake, grating, starting with the lodge of the concierge-cum-manservant, who was neither a concierge nor a manservant, despite his striped waistcoat, but a former poacher, a murderer turned guard dog.
When a self-made man appeals to Maigret for protection at his lavish home, a years-old grudge from the past resurfaces and the inspector finds himself questioning his own motives.
'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
