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for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentation
This edition presents Fauré's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Fauré's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.
Inhaltsverzeichnis
- Introit et Kyrie
- Offertoire
- Sanctus
- Pie Jesu
- Agnus Dei
- Libera me
- In paradisum
Über den Autor / die Autorin
John Rutter studied music at Clare College, Cambridge and first came to notice as a composer and arranger of Christmas carols and other choral pieces during those early years; today his compositions, including such concert-length works as Requiem, Magnificat, Mass of the Children, The Gift of Life, and Visions are performed around the world.
John edits the Oxford Choral Classics series, and, with Sir David Willcocks, co-edited four volumes of Carols for Choirs. In 1983 he formed his own choir The Cambridge Singers, with whom he has made numerous recordings on the Collegium Records label, and he appears regularly in several countries as a guest conductor and choral ambassador.
John holds a Lambeth Doctorate in Music, and was awarded a CBE for services to music in 2007.
Zusammenfassung
for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentationOrchestral and vocal material is available on hire. Organ plays from the vocal score.
Zusatztext
The simplified, pared-down textures of this revived Requiem were a revelation, and seemed to add, rather than detract from the work's power to move. The Oxford University Press Choral Classics series has continued to be a vehicle for Rutter's work as editor and to showcase interesting historical curiosities . . . Fauré's economical interweaving of the vocal lines seems only to magnify the music's poignancy and limpid purpose.
Bericht
The simplified, pared-down textures of this revived Requiem were a revelation, and seemed to add, rather than detract from the work's power to move. The Oxford University Press Choral Classics series has continued to be a vehicle for Rutter's work as editor and to showcase interesting historical curiosities . . . Fauré's economical interweaving of the vocal lines seems only to magnify the music's poignancy and limpid purpose. Matthew Greenall, The Singer, April 2004
