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Inhaltsverzeichnis
Introduction
1 Assembly: Following the Money
2 A Private View
3 Grotesque Realism: Impropriety and Decorum
4 Legislating Reality
5 Science: The Force of Vision and the Vision of Force
6 Realism Changes Reality
7 Naked Propaganda: The Intimate Things of Common Life
8 Neorealism: The Real as Resistance
9 Politics of Fact
Über den Autor / die Autorin
Thomas Docherty is Professor of English at Warwick University, UK. He has published on most areas of English and comparative literature from the Renaissance to the present day. He specializes in the philosophy of literary criticism, in critical theory, and in cultural history in relation primarily to European philosophy and literatures. Some of his previous publications include John Donne Undone (Methuen, Routledge, 1986) Postmodernism (Harvester/Columbia UP, 1993), Aesthetic Democracy (Stanford UP, 2006) and The English Question (Sussex Academic, 2008).
Zusammenfassung
Exploring the controversial history of an aesthetic – realism – this book examines the role that realism plays in the negotiation of social, political, and material realities from the mid-19th century to the present day.
Examining a broad range of literary texts from French, English, Italian, German, and Russian writers, this book provides new insights into how realism engages with themes including capital, social decorum, the law and its politicisation, modern science as a determining factor concerning truth, and the politics of identity.
Considering works from Gustave Flaubert, Charles Baudelaire, Émile Zola, Henry James, Charles Dickens, and George Orwell, Docherty proposes a new philosophical conception of the politics of realism in an age where politics feels increasingly erratic and fantastical.
Vorwort
This book addresses the controversial history of an aesthetic - Realism - whose central purpose is the negotiation of social, political, and material realities, examining the ways in which it engages capital, social decorum and manners, the law and its intrinsic politicisation, the emergence of modern science as a determining factor concerning truth, and the corruptions of the aesthetic under the force of the politics of identity in the contemporary sphere.
Zusatztext
Thomas Docherty’s wide-ranging, spirited account of the role played by a contested aesthetic weaves examples from literature, visual arts, and film ... in admirably clear, accessible language that avoids jargon.
